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Vignelli Whistle

Hawraa Almaqseed

This piece inspired from Lella Vignelli. It is a whistle and a ring. It is a feminine fine jewelry, also a rescuing tool for emergency situations. Media: Fine Silver.

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Champagne Popsicle

Guillermo Fok

The attributes that characterize the experience of Champagne were distilled and reinvented to enrich this unique tradition. The Champagne Popsicle is a daring new way to enjoy the decadence and eccentricity of Champagne. The form pays homage to the delicacy of a flute, juxtaposed with a solid base reminiscent of a Champagne seau.

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Fold-Up Seat

Qi Liu

This compact Fold- up Seat design allows for extra seating in commonly narrow entryway spaces. Single hand manual operation helps a user to lower the seat to a horizontal position for use with ease and to raise it back to the folded position after use. To fold the chair, one simply has to lift the seat and it stays folded, leaning against the wall. The seat can withstand up to 400 pounds and provides a sturdy seating area. The material is durable plastic. This design saves space in small spaces and gives people a feeling of convenience and comfort.

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Kinetic Whiskey Glass

Timothy Bromm

The Kinetic Whiskey Glass accentuates the importance of sound and motion experienced during the act of drinking whiskey. A glass ball is housed within an enclosed ‘floating’ chamber. In the process of swirling the ball around the base, the whiskey can be synchronized, introducing elements of skill and play into the drinking experience.

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Bike Buddy

Casey Kelly

The Bike Buddy is a storage rack that aims to secure both bike and belongings. The bike top tube sits on two side panels and a lock wraps through the bike and the storage space. A water bottle cage serves as a clever handle. Durable HDPE Loll materials support the bike and provide a sense of safe storage for belongings.

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Inclusive Side Table

Miguel A. Cardona Jr.

This side table was inspired by Vignelli & Associates “inclusive” Reclining Chair concept created for the Helen Hamlyn Foundation in 1998. In approaching my concept I intended to follow principles of universal design as well as those set by the Vignelli Canon.

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